The Daily Spectrum from Saint George, Utah • Page A16

16A thespectrum.comWhere It's remember a word of my lines until I hit mark on stage, then they came to me. I was having panic attacks every night, but never told What encouraged her was working ith Jean Hagen, who played ife. was beautiful, kind, strong, and very self-empowered. We were like girl- riends and I loved coming to work to see her. But she like Danny and quit after the third season.

I want to continue without her. My five-year contract was rewritten, so I app ear in many episodes after ore film and television work fol- owed, 1966 being a premium year with uest starring roles in three classic 60s series: in and Star worked with The Riddler in played by Frank Gorshin, a ice, funny guy, but he smoked non-stop and eventually died from lung he noted. In the popular episode, Are Little Girls Made Jackson is remembered for her convincing role of Andrea the android, not to mention a rather revealing costume. took the role very seriously, and gave much thought to what an android ight think and she said. was nly 24 and at the peak of my attractiveness.

The outfit also helped make the episode ut prowling the set were the ever igilant 60s censors who took issue with her skimpy attire. want any side cleavage show. So we took some double-sided toupee tape from Bill Shatner and taped the costume to my skin. Bill was never shy about wearing a hairpiece, so his toupee saved the nlike the censors, director Blake dwards found the costume, and the erson in it, quite becoming. A friend took me to lunch in the noisy Paramount commissary while I as wearing the costume.

terribly near-sighted and when we walked in, it ot quieter and quieter, so I asked what was happening. Turns out, they were all ooking at me. All the seats were full, so we got a table in the room where Blake Edwards happened to be sitting. My friend told me he began pointing to me and giving hand signals to Craig Stevens in another part of the room and yelling to him That turned out to be a character in Edw next film, and I was off ered the was a movie version of the popular TV mystery ser ies. Edwards cast Jackson wearing ostly a bed sheet or bath towel to seduce Craig Gunn character, leading to the surprise ending.

ffers of more steamy roles quickly followed, with Jackson appearing in a further three dozen TV shows and seven feature films before retiring at 40. probably retired too young and hould have just taken a break, but was etting typecast as the sexy femme fat ale she said. er fans, however, have never complained. ick Thomas teaches at Auburn University at Montgomery, and has ritten features, columns, and interviews for over 600 magazines and news- apers. Thomas Continued from Page 5A There is depth to what Laessig and olfe are doing here.

At first listen, We Have (To sounds like afairly ordinary pop ballad, albeit a pop ballad with a fabulous, soulful chorus. ut more going on here lyrically: you has crossed my mind But I afraid another heart is hard to love in the song, but clearly complicated. real. not necessarily alove song or a breakup song. a song about real human relationships.

Wolfe and Laessig can also take a phrase and turn it on its head. On Heart Got it takes the whole on thing and creatively makes it a two-person deal: heart got caught on your sleeve I need it Please give it back to Even with a fun song like Again some slick songwriting. asuper-catchy song about two people dancing like teenagers in love, but the way Wolfe and Laessig tell the story is the real draw: knees shake and my hair is raising Burning from this heat making When the beat kicks in will we While the songwriting is strong, the ultimate draw remains the power of those harmonies. The verses of are unassuming cordial but not necessarily begging for attention. Then the chorus arrives: drive myself to mad- ess Spinning in circles have it figured out just It strikes with such melodic force, hitting you over the head with that killer hook, swear it was crafted somewhere in Sweden by a team of best song doctors, but just another example of when happens when Wolfe and Laessig sing together.

he highlight is the final track, which starts off slowly with their lovely harmonies wafting over thoughtful lyrics: know no doctor but if I as guessing say it was just growing ains And painful as growing is we forget our ticket to taking the Then the magic of Lucius arrives as Laes- ig and Wolfe launch into the chorus, building to a crescendo with those heavenly harmonies. After listening to Lucius it might seem strange to hear a band with only one lead inger. The way Wolfe and Laessig sing ogether is enough to convince you that a ll songs are meant to be performed that ay two unified voices intertwined and reaching for the sky. mail Brian at trum.com and follow him at acebook.com/PasseyBrianor on Twitter and Instagram, Call him a 435-674-6296. Lucius Continued from Page 4A and DP Bob Richardson.

Sam Guide to Glorious 70 where it gets fascinating. The Panavision lenses used for Hateful are the same lenses used to film epic films like and they been used in decades. Jackson, arantino and a handful of others tell us a bout the process of retrofitting the lenses onto new cameras in order to film the movie on the film that allows for the widest shots available. We also get a history lesson in road shows and how Hateful was presented in limited areas in just such a fashion. This makes me long for the days when people got dressed up for the movies.

IS IT WORTH OWNING? Absolutely. Granted, there many extras, but this movie is a beautiful work of art. Add it to your collection. ollow Matthew on Twitterand Instagram, like him at acebook.com/MatthewJacobsonGeek; email him at rum.com; call him at 435-674-6234. urprise that there much in the way of extras; there just room on the disc.

However, I think a great opportunity was missed by not including a feature-length commentary with Tarantino or director of photography Bob Richa rdson, who was nominated for an Oscar for his work. Beyond the Eight: A Behind-the- cenes Look The cast of Hateful pat each other on the back in this very short pecial feature. Quentin Tarantino pats himself on the back a lot, too. This offer much in the way of actual behind-the-scenes action, though, outside of a few production photos and in- erviews from producer Stacey Sher Jacobson Continued from Page 6A ANDREW WEINSTEIN COMPANY Samuel L. Jackson stars as the hyper literate ounty hunter in Hateful him onto the world stage of the 1936 Olympics, where he faces off against Adolf vision of Aryan supremacy.

Starring Stephan James, Jason Sudeikis and Eli Goree. (Thematic elements and language.) THE REVENANT (R) A frontiersman named Hugh Glass on a fur trading expedition in the 1820s is on a quest for survival after being brutally mauled by a bear. Starring Leonardo DiCaprio, Tom Hardy and Will Poulter. (Strong frontier combat and violence including gory images, a exual assault, language and brief nudity.) RISEN (PG-13) Follows the epic Biblical story of the Resurrection, as told through the eyes of a non-believer. Starring Joseph Fiennes, Tom Felton and Peter Firth.

(Biblical violence including some disturbing images.) SPOTIGHT (R) The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core. Starring Mark Ruffalo, Michael Keaton and Rachel McAdams. (Language including sexual eferences.) STAR WARS: THE FORCE AWAKENS (PG-13) A continuation of the saga created by George Lucas and set 30 years after Star Wars: Episode VI Return of the Jedi (1983). Starring Daisy Ridley, John Boyega and Oscar Isaac. (Sci-fi action violence.) Flicks Continued from Page 7A.